greerwatson
09 November 2016 @ 05:08 am
Besides my assignment, I wrote three treats. (Well, given the distinction made in this particular gift exchange, they were a mix of "treats" and "tricks".)


"The Children of Closti the Clam" was written for [personal profile] betony, who wanted a story based on Diana Wynne Jones's Dalemark Quartet.

Betony asked for something about the "fascinating internal mythology" of the series; and, among the suggestions, were "whatever becomes of Robin" and "dealing with the consequences of immortality". It is canon that only some of Tanaqui's family turn out to be Undying like their mother; so I wrote futurefic about the next few decades after The Spell-Coats, seen from Tanaqui's perspective as she slowly realizes that some of her siblings are aging while she is not.

I had already written one Dalemark story, though it was not purely in that fandom, being a Time Team fusion. I decided, therefore, to use a variant of that webpage design for "The Children of Closti the Clam". The background is a rather complicated basket weave in a muted tone; and the same graphic was used to make a decorative button. The panel for the story has a border that layers multiple textures in various shades of brown and beige.


"Command the Signs" was written for [personal profile] blueteak, who wanted Susan Cooper's Dark is Rising series.

I have always thought that Cooper could have done more with the incongruity of Will Stanton's position as an Old One who is eleven years old and the youngest of a large family, particularly when he is new come to his power. Blueteak's prompt began "I've always loved the way magic creeps into the ordinary in this series, or has lurked in it all along, i.e. the Christmas ornaments." It was, in fact, those Christmas ornaments that sparked the idea—what if Will's family got a good look at the Signs? They did see the first few, albeit only briefly; but, at that time, they were threaded on his belt. Later, though, they were linked together on a gold chain.

I spent quite a long time going through my collection of background tiles trying to find something that would pick up the main motif of the story, i.e. the Six Signs, which are shaped like crosses set in circles. I eventually found one among the graphics I collected from Ambographics Art: it is purple, picked out in gold, and twines these shapes together. The colour scheme is copied in the frame around the story; but, as the fancy background has a rather "flat" look, it was necessary to use graphics with a similar "flat" effect when putting it together.

I did not add any decorative buttons; but, as the story falls naturally into a main section and a coda, I needed some sort of divider. I therefore decided to make one with the Six Signs. Since they have to be capable of fitting on Will's belt, the crosses needed to be fairly slender, affording plenty of space for the leather to slide through. I have to say, the result isn't quite how I'd always envisaged them; but I don't see how else they'd look in practice, given the description in the story. Their order is more or less that described by Cooper in the scene where John Smith links them on the chain.


"Back in the Saddle" was written for [personal profile] serenade, who wanted a story based on Dick Francis's 10lb Penalty. This was distinctly the last story written, since it was not only finished after the collection opened but was uploaded just before author reveals a week later.

Although the prompt mentioned both "tricks" and "treats", Serenade's suggestions were more along spooky lines; so I wrote a sort of ghost story. It picks up both on the fact that Ben's father, once leader of his party (and hence prime minister), would be expected to call a general election to confirm his position; and on the injury that Ben receives at the end of the book, severe enough to prevent him continuing as an amateur jockey. "Back in the Saddle" sees him out of hospital, once again helping with his father's election campaign.

For the webpage, I picked yet another variant of a graphic that I've used several times before, this time in brown tones. For the frame, I also used brown, with touches of grey. I wanted something suggestive of old stables and riding; so the textures in the frame are mostly leather and stone. Then, rather than use a decorative button, I went trolling the net for clip-art of horses to top and tail the story.
 
 
 
 
greerwatson
08 November 2016 @ 01:54 am
The author reveals for the Trick or Treat Exchange came today, a week after the archive was opened. I thus know officially that it was my sister who wrote my gifts.

Well, I already knew that she'd been assigned to write for me. I could see from the sign-up that there was only one possible match; so, unless I went out immediately as a pinch hit (which didn't happen), then my author had to be Flo. On the other hand, I couldn't be certain that it was she who wrote my treat, though I suspected as much. In fact, she wrote four stories altogether, the others being for two of Rosemary Sutcliff's historical novels.

I was assigned to write for her. This was not so certain: there were other people offering the fandoms she had requested (as, indeed, there were other fandoms that I had offered). At least this absurdity won't happen again: she has suggested, quite sensibly, that in future we make sure that we request and offer different things. Of course, it may still be that we choose to write for one another—as she, for example, has twice written me New Year's Resolutions timed to coincide with my birthday (and doing double duty, of course, as birthday presents) in very rare fandoms that I had asked for more than once in Yuletide without receiving them. As, for that matter, I have written her fan fiction based on Janet Sandison's Jean Robertson series.

At any rate, the first ToT story that I completed was a ficlet for Flo, "Star of the Waning Summer". I based it on The Mask of Apollo, though I did actually have a choice of fandoms, for our interests overlap a lot. Given the theme, I selected a background of stylized masks for the webpage, tweaking the colour to a bronze shade. All the other graphics I used were already on my website, though not in this combination. The ones I selected not only coordinated with one another and the background but made a fine frame around the story, glittering with golden shades.

Once "Star of the Waning Summer" was complete, I went on to write three treats. All of these also have webpages, and have been uploaded.
 
 
 
 
greerwatson
04 November 2016 @ 08:41 pm
The Trick or Treat Exchange opened on Halloween. (Midday. It seems an odd time; but I suppose the mod wanted people to be able to read their stories on the holiday.) Author reveals aren't until Monday; but I've been feeling guilty not posting here about my gifts.

Yes, gifts. Two of them!

The dates make it clear which was my main present: "Rites of Passage", a Flashpoint story. For those unfamiliar with it, this is a Canadian/US cop show following a fictional SWAT team, the Strategic Response Unit, attached to the Toronto police. I got a really fine fat gift, nearly 5K in length (which would be a good size for Yuletide, and ToT is basically a ficlet exchange).

"Rites of Passage" is set some time after the end of the series; so a major pleasure is getting filled in on the characters' future. It is, as I asked, a Halloween story—starting with a series of petty seasonal calls, which afford a lot of humour, and then shifting to a much more serious case. Actually, the kidnapping of a young trick-or-treater is resolved fairly quickly, since this is more a character piece than an action story. However, there is a common theme of increased maturity (proven through various rites of passage) that ties the case to the cops' personal lives.

This gift is a real treat in so many ways, with many familiar faces (all in character) and shout-outs to a lot of events from canon.

"Rites of Passage" was posted well before the deadline; so for several days I could see that I had one gift waiting for me, and assumed that that was that. Then, unexpectedly at the last minute, someone wrote me a little treat, "Forte".

This is a Charioteer ficlet, focusing on Ralph. One quickly figures out that, sometime after the end of the book, he must have been posted to a ship that was subsequently sunk by the Germans. At any rate, he is in a prisoner-of-war camp. (Whoever wrote this did their homework: I knew naval prisoners were sent to Marlag, but had no idea that the merchant marine had a separate POW camp, abbreviated as Milag.)

Short, sweet, and spooky. Very suitable for Halloween.

(And yes: I wrote a story or so myself. However, that's another matter.)
 
 
 
 
greerwatson
15 September 2016 @ 02:56 am
First, let me thank you for writing me a story in one of the fandoms we share. I'm excited about all of them. (They're listed in alphabetical order, so as not to play favourites.) I should also say up front that I'm easy on getting either a trick or a treat.


GENERAL POINTS:

  • I love worldbuilding and character pieces—stories that explore more deeply—through backstory, or by elaborating the setting/history/culture or exploring people's motivations and personal interactions.

  • I prefer gen; but I'm not asking you to ignore canon relationships. However, I don't like anything more than PG-13: explicit sexual detail is definitely a DNW for me.

  • I love casefic; and, more generally, I like stories that are canon-compliant.

  • I'm okay with violence if necessary to the story; but not gore for the sake of gore. On the whole, I prefer not to have characters die in the story; but references to canonical deaths are okay.



REQUESTS:

The Charioteer - Mary Renault (any nominated characters)

I'd like a seasonal story for preference. Mind you, Halloween wasn't commonly celebrated in the south of England at the time this book is set. However, if you want to include Halloween, I'm sure you can contrive something plausible. Alternatively, "seasonal" can simply refer to the autumn; or you could write about Guy Fawkes Night (or the lack thereof, in war time).

Either tricks or treats could have a spooky element, such as ghosts, premonitions, bad dreams, or superstition; or, if you prefer something more realistic, there's the horror of an air raid.


Flashpoint (TV) (any nominated characters)

A Canadian cop show focusing on the Strategic Response Unit in Toronto, a (fictional) unit dealing with bomb threats, hostage-taking incidents, and the like.

Tricks might be case-related, or deal with PTSD. Treats might delve into Halloween in the squad room, or something with Ed or Wordy's kids.


Forever Knight (any nominated characters)

With vampires in the cast, this show is made for Halloween stories. However, you have centuries of history to play with, depending on the character(s) you write about, as well as Nick's current role as a detective on the Toronto force. If you want to play with treats rather than tricks, then there's Halloween in the squad room or at the Raven; or maybe something about Schanke and his young daughter.


Sime~Gen - Jacqueline Lichtenberg & Jean Lorrah (no characters were nominated)

Given the usual relationship between Simes and Gens (not to mention the tentacles that Simes have), there is an obvious horror element here that you might play with.

No characters were nominated: I'd like worldbuilding here, whether you write a trick or a treat. Any period in Sime~Gen history would be fine, from just after the time of the Ancients through to the Tecton; but I'd prefer that you not go into the space era.